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Post by allers on Jun 11, 2005 4:34:41 GMT -5
A quote from a banned Czech group called the Plastic People of the Universe(1968)
"They are afraid of the old for their memory, They are afraid of the young for their innocence They afraid of the graves of their victims in faraway places They are afraid of history. They are afraid of freedom. They are afraid of truth. They are afraid of democracy. So why the hell are we afraid of them? ... For they are afraid of us."
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Post by workerscommunes on Jun 15, 2005 4:35:04 GMT -5
I heard about these guys on a radio programme about Lou Reed a few years ago, Havel was talking about how influential they were to the Velvet Revolution. It sounds like an amazing story. I also reckon I've got a version of Patti Smith doing a reading of that particular lyric, or at least a modified version of it. As for Ginsberg, the man can do no wrong as far as I'm concerned.
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Post by righteousnesous on Jun 17, 2005 1:04:56 GMT -5
Nothing riles me up like a bit of Mindnight Oil.
Hey, hey-hey hey There’ll be food on the table tonight Hey, hey, hey hey There’ll be pay in your pocket tonight
My gut is wrenched out it is crunched up and broken A life that is led is no more than a token Who’ll strike the flint upon the stone and tell me why If I yell out at night there’s a reply of bruised silence The screen is no comfort I can’t speak my sentence They blew the lights at heaven’s gate and I don’t know why
But if I work all day at the blue sky mine (there’ll be food on the table tonight) Still I walk up and down on the blue sky mine (there’ll be pay in your pocket tonight)
The candy store paupers lie to the share holders They’re crossing their fingers they pay the truth makers The balance sheet is breaking up the sky So I’m caught at the junction still waiting for medicine The sweat of my brow keeps on feeding the engine Hope the crumbs in my pocket can keep me for another night And if the blue sky mining company won’t come to my rescue If the sugar refining company won’t save me Who’s gonna save me?
But if I work all day...
And some have sailed from a distant shore And the company takes what the company wants And nothing’s as precious, as a hole in the ground
Who’s gonna save me? I pray that sense and reason brings us in Who’s gonna save me? We’ve got nothing to fear
In the end the rain comes down Washes clean, the streets of a blue sky town
(midnight oil)
Dedicated to bastards that exploit workers everywhere. And, in particular, to the asbestos victims of James Hardy, who for 30 yrs allowed its miners to work with a product they KNEW caused aggresive and incurable lung cancer. Even that mongrel John Howard was forced to freeze their assets. Anyway, the Oils are the best motivater I've yet found.
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Post by allers on Jun 18, 2005 5:07:36 GMT -5
Trust(a bit of nostaly here) hard rock in french(the original) Tu bosses toute ta vie pour payer ta pierre tombale, Tu masques ton visage en lisant ton journal, Tu marches tel un robot dans les couloirs du métro. Les gens ne te touchent pas, il faut faire le premier pas. Tu voudrais dialoguer sans renvoyer la balle. Impossible d'avancer sans ton gilet pare-balles. Tu voudrais donner des yeux à la justice Impossible de violer cette femme pleine de vices. Antisocial, tu perds ton sang-froid. Repense à toutes ces années de service. Antisocial, bientôt les années de sévices, Enfin, le temps perdu qu'on ne rattrape plus. Ecraser les gens est devenu ton passe-temps. En les éclaboussant, tu deviens gênant. Dans ton désespoir, il reste un peu d'espoir Celui de voir les gens sans fard et moins bâtards. Mais cesse de faire le point, serre plutôt les poings, Bouge de ta retraite, ta conduite est trop parfaite Relève la gueule, je suis là, t'es pas seul Ceux qui hier t'enviaient, aujourd'hui te jugeraient. Antisocial, tu perds ton sang-froid. Repense à toutes ces années de service. Antisocial, bientôt les années de sévices, Enfin, le temps perdu qu'on ne rattrape plus. Tu bosses toute ta vie pour payer ta pierre tombale, Tu masques ton visage en lisant ton journal, Tu marches tel un robot dans les couloirs du métro. Les gens ne te touchent pas, il faut faire le premier pas. Tu voudrais dialoguer sans renvoyer la balle. Impossible d'avancer sans ton gilet pare-balles. Tu voudrais donner des yeux à la justice Impossible de violer cette femme pleine de vices. Antisocial, antisocial, antisocial, antisocial... in english You're a train ride to no importance You're in love with hell existence Money is all you desire Why don't you pack it in and retire ? It's common nature, you can't fool me; I'm just the money that you can't let free. Rainy day genius clouds your mind, Don't you realize the blind lead the blind ? You're anti, you're antisocial (x4) Oh Mister Times, will you ever unwind Or just rebuild on a new design ? Your claim to fame is law and order : The rich get rich and the poor get poor. You put a price-tag on what you see : This one's for you and that's for me. If that's winning, then i'd rather lose Why don't you listen to my senseless views ? You're anti, you're antisocial (x4) You're a train ride to no importance You're in love with hell existence Money is all you desire Why don't you pack it in and retire ? It's common nature, but you can't fool me; I'm just the money that you can't let free. Rainy day genius clouds your mind, Don't you realize the blind lead the blind ? You're anti, you're antisocial (x4) Antisocial, antisocial, antisocial, antisocial Antisocial... www.emp3world.com/to_download.php?id=70984Trust was a good band,i think L'elite(the elit) was their best song in french Tes procès on le sait ne sont pas fondés Dans tes camps on le sait on supprime sans gants Elle se dit l'élite des peuples civilisés Elle pourrait arborer sans aucune gêne la croix gammée Elle a pour principe de protéger les gens De leur littérature de leurs pensées de leurs chansons Elle dit que c'est fondé sur l'esprit de liberté Elle ne fait que parjurer les traités déjà signés L'élite est entrée sans prévenir Devant ses chars d'assaut vous n'aviez que des idées Renforçons l'amitié proclament vos slogans Amitié enfermant des gens nommés dissidents Elle fut scandalisée en voyant ce génocide Elle a combattu et vaincu quel homicide La seule leçon qu'elle ait su en tirer C'est de financer des états policiers Refrain i'll try to translate this one....Hard work
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Post by allers on Jun 18, 2005 5:17:49 GMT -5
and this one
84(remember this was 1984)
If arrogance can be blind I ain't surprised wen looking around The golden calf, the political stand Where givers take when giving a hand The voters who relate, demonstrate Put down then, by the media men Computers catch a coded name, a loaded game
Man we've come a long long way, but tell Me where we're goin' No one seems to know it for sure, hey tell Me where are we goin'
Imagine me a fantasy and show it on a video Yeah modern days, have modern ways But is this the way we should go
Eighty four - coming on Eighty four - this is the one Eighty four - been waiting for Eighty four - that's for sure
Eighty four - coming on Eighty four - this is the one Eighty four - been waiting for Eighty four - say no more
An' woman's lib's getting bold Emancipate is the courtesans call The chauvinists are they going to seed A looking glass supply all their needs The digital brain is comin' out of the rain Super micro chips give no lip Scandal again, a government man The U.S.A. and U.S.S.R. goin' nowhere fast
Man we've come a long long way But tell me where we're goin' No one seems to know it for sure Tell me where are we goin'
Imagine me a fantasy and show it on a video Yeah modern days, have modern ways But is this the way we should go
Eighty four - coming on Eighty four - this is the one Eighty four - been waiting for I can't say no more, it's nineteen eighty four
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Post by allers on Jun 18, 2005 5:35:58 GMT -5
and this one
FIREBALL
Somebody help Somebody think Listen around when you're having a drink One old man he's pretty stoned and he's startin' a riot And everyone's sold on his song of love The eagle's going vicious and it's killing the dove The more they see, the more that they want You don't believe it, see if they don't It's coming' closer closer closer so close, so come on
Come out of your corner Get out of your seat Out of the shadows, get up on your feet Come out of your corner Hey don't you recall If it's comin' for one, it's comin' for all
When the roulette rolls, the numbers spin There's nothin' you can do, accept if you can Agression is the game, you really ready to play You don't have second option the first is the last The old man's a joker, that'll be that So what do you do, rien ne va plus Hangin' round ain't helping you Get off you asses and get into the news
Come out of your corner Get out of your seat Out of the shadows, get up on your feet Come out of your corner Hey don't you recall It's a party for one, and a party for all Fireball, fireball, fireball
You wanna try in Europe, here's what you do Just hang about and Europe could make it to you Exceeding expectations coming down with the storm When millions of souls are washed down with the rain And heroes in the ashes are blown in the wind
Let ashes be ashes, and stone into stone And honour still be honour and people alone And let not the mighty dictate to the weak If money can pay let it pay for the peace If circumstances accuse and condemn Would this still be true when it's said of a friend
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Post by workerscommunes on Jun 20, 2005 5:41:50 GMT -5
An proto-anarchist classic... ;D
The Mask of Anarchy Written on the occasion of the massacre at Manchester.
by Percy Bysshe Shelley 1819
As I lay asleep in Italy There came a voice from over the Sea, And with great power it forth led me To walk in the visions of Poesy. I met Murder on the way— He had a mask like Castlereagh— Very smooth he looked, yet grim ; Seven blood-hounds followed him : All were fat ; and well they might Be in admirable plight, For one by one, and two by two, He tossed them human hearts to chew Which from his wide cloak he drew. Next came Fraud, and he had on, Like Lord Eldon, an ermined gown ; His big tears, for he wept well, Turned to mill-stones as they fell. And the little children, who Round his feet played to and fro, Thinking every tear a gem, Had their brains knocked out by them. Clothed with the Bible, as with light, And the shadows of the night, Like Sidmouth, next, Hypocrisy On a crocodile rode by. And many more Destructions played In this ghastly masquerade, All disguised, even to the eyes, Like Bishops, lawyers, peers, and spies. Last came Anarchy : he rode On a white horse, splashed with blood ; He was pale even to the lips, Like Death in the Apocalypse. And he wore a kingly crown ; And in his grasp a sceptre shone ; On his brow this mark I saw— ‘I AM GOD, AND KING, AND LAW!’ With a pace stately and fast, Over English land he passed, Trampling to a mire of blood The adoring multitude. And with a mighty troop around With their trampling shook the ground, Waving each a bloody sword, For the service of their Lord. And with glorious triumph they Rode through England proud and gay, Drunk as with intoxication Of the wine of desolation. O’er fields and towns, from sea to sea, Passed the Pageant swift and free, Tearing up, and trampling down ; Till they came to London town. And each dweller, panic-stricken, Felt his heart with terror sicken Hearing the tempestuous cry Of the triumph of Anarchy. For from pomp to meet him came, Clothed in arms like blood and flame, The hired murderers, who did sing ‘Thou art God, and Law, and King. ‘We have waited weak and lone For thy coming, Mighty One! Our purses are empty, our swords are cold, Give us glory, and blood, and gold.’ Lawyers and priests a motley crowd, To the earth their pale brows bowed ; Like a bad prayer not over loud, Whispering—‘Thou art Law and God.’— Then all cried with one accord, ‘Thou art King, and God, and Lord ; Anarchy, to thee we bow, Be thy name made holy now!’ And Anarchy, the Skeleton, Bowed and grinned to every one, As well as if his education Had cost ten millions to the nation. For he knew the Palaces Of our Kings were rightly his ; His the sceptre, crown, and globe, And the gold-inwoven robe. So he sent his slaves before To seize upon the Bank and Tower, And was proceeding with intent To meet his pensioned Parliament When one fled past, a maniac maid, And her name was Hope, she said : But she looked more like Despair, And she cried out in the air : ‘My father Time is weak and gray With waiting for a better day ; See how idiot-like he stands, Fumbling with his palsied hands! ‘He has had child after child, And the dust of death is piled Over every one but me— Misery, oh, Misery!’ Then she lay down in the street, Right before the horses feet, Expecting, with a patient eye, Murder, Fraud, and Anarchy. When between her and her foes A mist, a light, an image rose. Small at first, and weak, and frail Like the vapour of a vale : Till as clouds grow on the blast, Like tower-crowned giants striding fast, And glare with lightnings as they fly, And speak in thunder to the sky. It grew—a Shape arrayed in mail Brighter than the viper’s scale, And upborne on wings whose grain Was as the light of sunny rain. On its helm, seen far away, A planet, like the Morning’s, lay ; And those plumes its light rained through Like a shower of crimson dew. With step as soft as wind it passed O’er the heads of men—so fast That they knew the presence there, And looked,—but all was empty air. As flowers beneath May’s footstep waken, As stars from Night’s loose hair are shaken, As waves arise when loud winds call, Thoughts sprung where’er that step did fall. And the prostrate multitude Looked—and ankle-deep in blood, Hope, that maiden most serene, Was walking with a quiet mien : And Anarchy, the ghastly birth, Lay dead earth upon the earth ; The Horse of Death tameless as wind Fled, and with his hoofs did grind To dust the murderers thronged behind. A rushing light of clouds and splendour, A sense awakening and yet tender Was heard and felt—and at its close These words of joy and fear arose As if their own indignant Earth Which gave the sons of England birth Had felt their blood upon her brow, And shuddering with a mother’s throe Had turned every drop of blood By which her face had been bedewed To an accent unwithstood,— As if her heart cried out aloud : ‘Men of England, heirs of Glory, Heroes of unwritten story, Nurslings of one mighty Mother, Hopes of her, and one another ; ‘Rise like Lions after slumber In unvanquishable number. Shake your chains to earth like dew Which in sleep had fallen on you— Ye are many—they are few. ‘What is Freedom?—ye can tell That which slavery is, too well— For its very name has grown To an echo of your own. ‘’Tis to work and have such pay As just keeps life from day to day In your limbs, as in a cell For the tyrants’ use to dwell, ‘So that ye for them are made Loom, and plough, and sword, and spade, With or without your own will bent To their defence and nourishment. ‘’Tis to see your children weak With their mothers pine and peak, When the winter winds are bleak,— They are dying whilst I speak. ‘’Tis to hunger for such diet As the rich man in his riot Casts to the fat dogs that lie Surfeiting beneath his eye ; ‘’Tis to let the Ghost of Gold Take from Toil a thousandfold More than e’er its substance could In the tyrannies of old. ‘Paper coin—that forgery Of the title-deeds, which ye Hold to something from the worth Of the inheritance of Earth. ‘’Tis to be a slave in soul And to hold no strong control Over your own wills, but be All that others make of ye. ‘And at length when ye complain With a murmur weak and vain ’Tis to see the Tyrant’s crew Ride over your wives and you— Blood is on the grass like dew. ‘Then it is to feel revenge Fiercely thirsting to exchange Blood for blood—and wrong for wrong— Do not thus when ye are strong. ‘Birds find rest, in narrow nest When weary of their wingèd quest ; Beasts find fare, in woody lair When storm and snow are in the air. ‘Horses, oxen, have a home, When from daily toil they come ; Household dogs, when the wind roars, Find a home within warm doors.’ ‘Asses, swine, have litter spread And with fitting food are fed ; All things have a home but one— Thou, Oh, Englishman, hast none ! ‘This is Slavery—savage men, Or wild beasts within a den Would endure not as ye do— But such ills they never knew. ‘What art thou, Freedom ? O ! could slaves Answer from their living graves This demand—tyrants would flee Like a dream’s imagery : ‘Thou are not, as impostors say, A shadow soon to pass away, A superstition, and a name Echoing from the cave of Fame. ‘For the labourer thou art bread, And a comely table spread From his daily labour come In a neat and happy home. ‘Thou art clothes, and fire, and food For the trampled multitude— No—in countries that are free Such starvation cannot be As in England now we see. ‘To the rich thou art a check, When his foot is on the neck Of his victim, thou dost make That he treads upon a snake. ‘Thou art Justice—ne’er for gold May thy righteous laws be sold As laws are in England—thou Shield’st alike both high and low. ‘Thou art Wisdom—Freemen never Dream that God will damn for ever All who think those things untrue Of which Priests make such ado. ‘Thou art Peace—never by thee Would blood and treasure wasted be As tyrants wasted them, when all Leagued to quench thy flame in Gaul. ‘What if English toil and blood Was poured forth, even as a flood ? It availed, Oh, Liberty. To dim, but not extinguish thee. ‘Thou art Love—the rich have kissed Thy feet, and like him following Christ, Give their substance to the free And through the rough world follow thee, ‘Or turn their wealth to arms, and make War for thy belovèd sake On wealth, and war, and fraud—whence they Drew the power which is their prey. ‘Science, Poetry, and Thought Are thy lamps ; they make the lot Of the dwellers in a cot So serene, they curse it not. ‘Spirit, Patience, Gentleness, All that can adorn and bless Art thou—let deeds, not words, express Thine exceeding loveliness. ‘Let a great Assembly be Of the fearless and the free On some spot of English ground Where the plains stretch wide around. ‘Let the blue sky overhead, The green earth on which ye tread, All that must eternal be Witness the solemnity. ‘From the corners uttermost Of the bounds of English coast ; From every hut, village, and town Where those who live and suffer moan For others’ misery or their own, ‘From the workhouse and the prison Where pale as corpses newly risen, Women, children, young and old Groan for pain, and weep for cold— ‘From the haunts of daily life Where is waged the daily strife With common wants and common cares Which sows the human heart with tares—
‘Lastly from the palaces Where the murmur of distress Echoes, like the distant sound Of a wind alive around ‘Those prison halls of wealth and fashion. Where some few feel such compassion For those who groan, and toil, and wail As must make their brethren pale— ‘Ye who suffer woes untold, Or to feel, or to behold Your lost country bought and sold With a price of blood and gold— ‘Let a vast assembly be, And with great solemnity Declare with measured words that ye Are, as God has made ye, free— ‘Be your strong and simple words Keen to wound as sharpened swords, And wide as targes let them be, With their shade to cover ye. ‘Let the tyrants pour around With a quick and startling sound, Like the loosening of a sea, Troops of armed emblazonry. ‘Let the charged artillery drive Till the dead air seems alive With the clash of clanging wheels, And the tramp of horses’ heels. ‘Let the fixèd bayonet Gleam with sharp desire to wet Its bright point in English blood Looking keen as one for food. ‘Let the horsemen’s scimitars Wheel and flash, like sphereless stars Thirsting to eclipse their burning In a sea of death and mourning. ‘Stand ye calm and resolute, Like a forest close and mute, With folded arms and looks which are Weapons of unvanquished war, ‘And let Panic, who outspeeds The career of armèd steeds Pass, a disregarded shade Through your phalanx undismayed. ‘Let the laws of your own land, Good or ill, between ye stand Hand to hand, and foot to foot, Arbiters of the dispute, ‘The old laws of England—they Whose reverend heads with age are gray, Children of a wiser day ; And whose solemn voice must be Thine own echo—Liberty ! ‘On those who first should violate Such sacred heralds in their state Rest the blood that must ensue, And it will not rest on you. ‘And if then the tyrants dare Let them ride among you there, Slash, and stab, and maim, and hew, — What they like, that let them do. ‘With folded arms and steady eyes, And little fear, and less surprise, Look upon them as they slay Till their rage has died away.’ ‘Then they will return with shame To the place from which they came, And the blood thus shed will speak In hot blushes on their cheek. ‘Every woman in the land Will point at them as they stand— They will hardly dare to greet Their acquaintance in the street. ‘And the bold, true warriors Who have hugged Danger in wars Will turn to those who would be free, Ashamed of such base company.
‘And that slaughter to the Nation Shall steam up like inspiration, Eloquent, oracular ; A volcano heard afar. ‘And these words shall then become Like Oppression’s thundered doom Ringing through each heart and brain. Heard again—again—again— ‘Rise like Lions after slumber In unvanquishable number— Shake your chains to earth like dew Which in sleep had fallen on you— Ye are many—they are few.’
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